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I feel compelled to throw in my 2ยข on this subject. I believe that with regard to 'turkish' and 'turkish-style' cymbals (primarily intended for jazz players) there are a variety of directions one can go, and the market is fairly well flooded now with contemporary possibilities (Bosphorus, Istanbul (Agop and Mehmet), Grand Masters, Turkish, Zildjian's K. Constantinople line, Sabian's Manhattan rides, etc.), each striving to closely approximate the 'old K' (K. Istanbul) mystique: these are generally thinner, very heavily hammered, washier, lower pitched, darker sounding and 'trashier' or more nasal sounding. They certainly won't do for heavily amplified music where you require a heavier, pingier, more focused sound to penetrate through. In my opinion, the ones that have truly excelled in this endeavor have been Bosphorus' Master Series, although each of the other companies mentioned have produced individual winners amongst their stacks, albeit with a lower ratio of keepers to mediocres or outright dogs.
Each of the aforementioned are to be considered 'mass produced' (although this is not to say that they are not hand created/lathed/hammered, at least in part). But the cymbals which are painstakingly produced one at a time (usually one per day), by one craftsman, virtually completely by hand and with an exceedingly close approximation to that 'perfect' vintage jazz pie look, sound and feel are (Roberto) Spizzichino cymbals, my personal favorites. These will occasionally turn up at Joe Cusatis' Modern Drum Shop in Manhattan, occasionally on eBay (or sold directly) from Italy by Spizzichino's friend Luciano Pacchione, and occasionally by a private individual.
Since Bosphorus Masters Series Rides, Istanbul Mel Lewis Rides, and Spizz's are more difficult to come by and generally cost quite a bit more than the mass produced cymbals more readily available at your local music shop, and since these cymbals vary at least as much in sound characteristics from cymbal to cymbal, it behooves you to either wait until you have the opportunity to personally ear-test them before purchasing, or else be quite willing to depend upon the opinion and ear of a trusted one selecting for you.
If you absolutely have no access to a larger drum shop where there may be at least some selection, I'd contact Brian Kaye at Bosphorus and talk to him about the Master Series line, as these are extraordinarily nice jazz
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