One often thinks of hip hop music as completely electronic aside of the vocals.
This blogger, however had a sudden realization whilst driving around Boston, blaring this album.
He realized how easily this music is disected and translated into something playable by live musicians.
Here is on example

Above the Clouds
“Above the Clouds” is proof positive that the the art of creating music from sampled sound extends far beyond a cracked copy of Fruity Loops and snippets of imported audio from a few CDs. The best beatsmiths all have an unidentifiable ability to ‘hear’ arrangements and musical structures from the most unlikely of sources and recycle those sounds into something their own. Premier, unsurprisingly, is one of these individuals. His production for “Above the Clouds” is absolutely brilliant and ranks among the finest of his career; how someone could make something this bangin’ out of the first few seconds of John Dankworth’s “Two-Piece Flower” is beyond mortal comprehension (I’ve offered the original source below for this example).
Incidentally, “Above the Clouds” lends itself surprisingly well to transcription, despite its overall weirdness and the audible repeated triggering of selected samples in the beat. What sounds like a shamisen on the original recording could be played by a palm-muted and slightly flat guitar, and two oboes would be required - a tad unorthodox, yes, but crucial for the counterpoint in the latter half of the second bar (unless a polyphonic oboe can be found as a substitute, of course). Premier wisely chooses to leave the bottom end open, only inserting two emphatic bass hits to signal the loop; he’s cleverly reminding you that it’s there, but he’s not going to clutter the track with it. Note the 32nd-note pinched kicks before the first and third beats, which give the track a sense of propulsion that the more common 16th note pinches would lack, as well as help enforce the impression that the tempo is faster than it actually is (roughly 86 bpm). It’s hardly surprising that Inspectah Deck straight-up destroys this cut with a verse that surpasses any of the other guest spots on the record.
Music always takes you places when you listen to it, the same piece will take different people to different places, and even the same person can end up in a completely different place every time he heres a certain piece - depending on his mind set.
that is why I found this so interesting. I would never have thought these thoughts. if you like this example you can go here for more.
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